Bildiri Listesi

A Bakhtinian Reading of James Joyce s The Dead

Academic Writing Course When Online: Is It Really Fun?

A Dialogic Reading of Tom Stoppard’xxs Colonial/Postcolonial Discourse in Indian Ink

A Marxist Approach to Elizabeth Gaskell s North and South

‘Desire and Competition in Shakespeare’s King Lear’

Fictional Subjects of Silence: Racial and Emotional Outsiders inJean Rhys’s Let Them Call It Jazz and Kazuo Ishiguro’s Come Rain or Come Shine

‘From Diffidence to Rivalry in Shakespeare’s Macbeth’

George Orwell s Shooting an Elephant within the Context of Frantz Fanon s The Wretched of the Earth

Hypocrite Nationalistic Discourse in James Joyce s Ivy Day in the Committee Room

IDENTITY CONSTURCTION IN THE LIMINAL SPACE OF CULTURES IN ANITA DESAI’S CLEAR LIGHT OF DAY

INDUSTRIALIZATION, EDUCATION AND UNIONS AS REPRESENTED IN CHARLES DICKENS’ HARD TIMES

Ladies and Dandies Comedy of Gendered Manners Lady Windermere s Fan by Oscar Wilde

Memory and Nostalgia as Part of Identity: Kazuo Ishiguro’s When We were Orphans

Memory, Mimetic Desire and Violence in Julius Caesar

‘Mimetic Rivalry and Glory in Shakespeare’s Titus Andronicus’

Mimetic Violence and Scapegoating in Shakespeare’s Titus Andronicus

Repercussions of Secularization: North and South and Jude the Obscure

Re reading History in Charlotte Bronte s Shirley and Charles Dickens HardTimes

Ritual as part of Local Tradition within the Cultural Boundaries as Represented in Wole Soyinka’s the Strong Breed

Teaching Language Skills When Online: Does Age Really Matter*

The Bourgeois Male as the Product of Patriarchy in Charlotte Bronte s Shirley

The Party Chronotope in James Joyce’s ‘The Dead’

THE POSTCOLONIAL DISCOURSE IN SEARCH OF A LOST IDENTITY: V. S. NAIPAUL’S A BEND IN THE RIVER

The Representation of Antisemitism as Policy in Christopher Marlowe's The Jew of Malta